I honestly trust that to explain androgyny according to Woolf and see this idea in its complete framework, we need to mention that Woolf becomes interested in describing and transmitting truth as her fictitious characters perceived it their hearts and minds. She additionally wanted to show fact from distinct views. This is why she uses diverse and now not one movement of awareness: trains of sense of her characters. With this equal thinking, Woolf develops her theory on androgynous thoughts. She asserts that writers have to write without thinking, really, in their sex. She believes that the very satisfactory manner to represent reality and write down fiction by using the technique each the thoughts of a man and a female thinks. Woolf says that in order to get "entire delight and happiness" both the girl and the male sex in a person's thoughts must be united. She considers this union crucial, if now not vital in fiction writing, is what Woolf calls "androgynous mind." The harmonious coexistence of the male and the female intercourse in the thoughts of a person and the complete pleasure it creates truly has sexual connotations, which Woolf gives to the reader, making them apprehend the fantastic results the mind can produce when this union is accomplished. Woolf uses the stream of cognizance technique to transmit to us no longer what the author or a narrator says but a maximum of the time the fact, of the past and of the existing, of the fictitious characters. So, given that it's far no longer the narrator but the characters who transmit their thoughts to us, these characters are often guys, and now and then those characters are ladies. it's far on this manner that Woolf manages to make the union of a male and girl thoughts. This is even extra obvious inside the radical components in which both a girl and a male individual think of the identical factor and explain how they experience. A terrific instance of androgyny in Mrs Dalloway is when Virginia Woolf contrasts the meditations, thoughts of Clarissa Dalloway and Peter Walsh on ageing. Woolf does now not exist in this; she no longer delivers us the emotions of a girl only; or a person handiest. She gives us both. Peter Walsh is virtually six months older than Clarissa, seeking to recapture his young people and sense cosy approximately his virility within the identical manner all men do all through the whole: even though he is middle-elderly, he has a romance with a woman who is so young that she may want to his daughter. Any other manner of Woolf's displaying that he could be very insecure about his virility is that he nearly always performs with his pocketknife, which is a phallic symbol. The truth that he moves "it" all the time approach that he wants to "maintain it alive"; that he isn't always sure if he can do that, so he maintains "playing along with his pocketknife". He also follows ladies in the road and fantasizes about sexual adventures. However, Clarissa faces middle-age in a complete one-of-a-kind way, as a female does. She has chosen to marry. Richard, nobody obliged her to accomplish that, and by the point she is centre-age, she doesn't percentage the same bed together with her husband, which means that she has retired from sexual life. Clarissa has a daughter who is about to start adult life and is like a hyacinth which has not had the "warmth of the sun" yet, which means that she remains a virgin. Clarissa reflects approximately existence and loss of life, and he or she is not going to exchange her presence, and she doesn't seem to have brilliant enthusiasm or expectancies in destiny. She recollects the summer season she, Peter and Sally spent together and while she and Sally kissed, which made her feel "like men do for girls". So, in this case, wherein Woolf shows how two human beings of various sex don't forget their growing old, the author uses the approach of the androgynous mind, which she explains thoroughly in A Room of One's Own. 1] Abrams, Meyer Howard, ‘The Norton Anthology of English Literature.Volume. Package 2 ’ (2012)